The Interior Monologue Of Urshanabi English Literature Essay

The Interior Monologue Of Urshanabi English Literature Essay

Interior soliloquy, otherwise known as the interior voice, refers to a transition of text that is used to explicate a character ‘s ideas deep within ( Heidel 1946 ) . In this instance we are to look at the interior soliloquy of Urshanabi at his brush with Gilgamesh at the clip of traversing the Waterss of decease. It is hence of import that we foremost have an apprehension of this peculiar scene before once and for all finding his internal soliloquy ( Kramer 1986 ) . From their brush, we can come up with the following as the interior soliloquy of Urshanabi:

Interior soliloquy of Urshanabi when he notices Gilgamesh

You are so weak, have you eaten anything?

Can you non even set a smiling on your face?

I bet you have come a long manner

Your face is so disfigured

How come you are walking all over looking this manner?

Interior soliloquy of Urshanabi when asked the manner to Utnapishtim

Make you non recognize that the lone manner is across this Dead Sea, and that you are the 1 who has made it even worse?

Yes, those stone things you smashed, they were to assist us across, you have even gone to the extent of drawing out their retaining ropes

Merely imagine!

Listen, the lone option we have now is to get some punting poles, now that you have an axe that will be much cheaper

Now you have to acquire to the wood every bit fast as possible, do certain you get at least three hundred punting poles. You better do certain each one of them is 60 cubits long

After that strip them and topographic point caps on each and utilize the most efficient manner to guarantee they reach the boat

Interior soliloquy of Urshanabi at the Waters of Death

Now, here you have to be really careful Gilgamesh, you see that punting pole? Yes, that one there, choice it up and utilize it to wade through the Waterss

Remember to be cautious plenty, and allow non your manus base on balls over the Waterss of decease

Yes that is all right, now you can make the same with the staying poles until you are safe on the other side


It is of import in the analyzing of the subjects of this narrative that we get to cognize an overview of what this peculiar transition is all about ( Heidel 1946 ) . To get down with we will understand the background of the narrative and the fortunes that made this peculiar incident to happen.

Gilgamesh is a Babylonian narrative about a instead loyal leader who sets in gesture an onslaught against a monster ( Kramer 1986 ) . He is the mighty male monarch of Uruk Born of a goddess female parent and a human male parent. In life he finally meets Enkidu, his opposite number with similar characteristics and of a common similitude as him.

Urshanabi ‘s name symbolizes a figure and when translated means either a priest or retainer of two tierces. It is besides clear that Enki was his father-in-law. Enki refers to the figure 40, which is two tierces of Enu ( 60 ) . From this it is clear that he is supposed to be Gilgamesh ‘s priest or servant since Gilgamesh was two tierces Godhead.

Despite the fact that Urshanabi tries to forestall him, Gilgamesh goes in front and attacks the ‘Stone things ‘ thereby destructing them. He looks at his oculus and asks him his name every bit good as the ground as to why he appeared so moth-eaten ( Kramer 1986 ) . When Gilgamesh tells him about his brushs and the fact that he needed to acquire to Utanapishtim, which is referred to as the far off one, he explains to him that his ain custodies were responsible for his failure to traverse. This is because of his action of oppressing the ‘stone things ‘ and in add-on disposing them off into the river. These were supposed to assist him traverse by forestalling him from stepping on the Waterss of decease ( Heidel 1946 ) .

Urshanabi was excessively determined to offer aid to Gilgamesh that he asked him to acquire into the forest to cut the punting poles. They completed a ocean trip that would hold otherwise lasted 40 five yearss in lone three yearss. On geting at the shore Urshanabi discovers that the rock things and the fact that there was a alien on board. Once once more he expresses his concern for Gilgamesh ‘s awful visual aspect and he narrates to him his narrative all over once more ( Kramer 1986 ) .

The Faraway one hits the nail on the caput by reminding Gilgamesh that he is traveling after sorrow. It is at this point that Gilgamesh asks Utnapishtim the ground as to why he stands in the assembly of the Gods and obtained ageless life yet they are both similar in their nature and visual aspect.

This sparks the conversation in which Utnapishtim attempts to unveil to Gilgamesh the enigma behind this ( Heidel 1946 ) . He explains to him how Enki had asked him to convey down his house and alternatively construct a boat through which he would salvage life and abandon ownerships ( Kramer 1986 ) .

Death is one issue that is really vocal in the literary transition. It is beyond sensible uncertainty that after recognizing that he excessively could decease, particularly after the decease of his confederate Enkidu, Gilgamesh decides to look for Utnapishtim. Utnapishtim is believed to hold been the lone human being to be given immortality by the Gods. Gilgamesh believes that Utnapishtim could hence be holding the secret towards this infinity that he so desired ( Heidel 1946 ) . When he gets to the land of the Gods, guarded by Scorpio work forces, he finds Siduri, who is a divine-wine shaper. She offers him shelter and persuades him to be contented with the fact that he is human and be able to bask life while he lives.

His desire to populate everlastingly, nevertheless, causes Gilgamesh to hear none of Siduri ‘s advice. He goes on with the journey to run into Urshanabi, a boat adult male who is willing to ferry him across the Sea of Death ( Kramer 1986 ) . They head to the island in which Utnapishtim cohabits with his married woman. Here he learns that Utnapishtim ‘s mortality was after endurance from a inundation that covered the whole universe. In add-on he besides realizes that he can non acquire much aid from Utnapishtim since the inundation merely occurred one time and there were really limited opportunities ( if any ) that the inundations would happen once more.

Finally Gilgamesh falls asleep for seven uninterrupted yearss and Utnapishtim inquiries him as to how he can pull off to populate everlastingly when he can non stay awake for a hebdomad ( Heidel 1946 ) . His married woman nevertheless has compassion on Gilgamesh and asks her hubby to give him the fast one of the sacred works that could do him immature but non to populate everlastingly. He gets into the sea to obtain the works merely for it to be subsequently on stolen by the serpent ( Kramer 1986 ) . An facet that can be learnt from this is the fact that a hero can non avoid decease or seek to forestall it but instead merely learns the importance of life by encompassing decease.

From these fortunes it is clear that decease as the ultimate fate of adult male is demonstrated. Death is inevitable and nevertheless much Gilgamesh tried to hedge it, it would still come his manner ( Oppenheim 1964 ) . The lone manner he could avoid it was by utilizing the sacred works that could do him immature. This, nevertheless, could non vouch him immortality since even immature work forces decease anyhow ( Kramer 1986 ) . It could merely assist him to lengthen the period between so and the clip of his decease.

Fate and fate is yet another subject that is really much evident in this transition. Gilgamesh is a adult male that is strongly resigned to destine. The assorted challenges he goes through in life despite being the celebrated and loyal leader can merely be explained as holding been destined for him ( Kramer 1986 ) . First and first, Gilgamesh was born of a mortal male parent and a goddess who was immortal ( Oppenheim 1964 ) . If he could command the fortunes of his birth, of class he could hold chosen to be born of both immortal parents. However, as destiny could hold it, Gilgamesh was a victim of fortunes due to the opportunity matter of his female parent. This denied him the ability to claim the infinity that he otherwise so much desired ( Heidel 1946 ) .

Subsequently on in life Gilgamesh meets Enkidu with whom they become really close and do many things together. It is nevertheless subsequently on saddening that his merely trusted comrade ends up deceasing ( Oppenheim 1964 ) . This is a perfect state of affairs where destiny is seeable for both parties. First, one of the two has to decease as penalty from the Gods for the violent death of the Bull of Heaven. Enkidu fatefully dies under these fortunes. On the other manus, Gilgamesh is left entirely ( Heidel 1946 ) .

Destiny is besides demonstrated in the sense that despite the much attempt that Gilgamesh puts in to claim infinity and the challenges he faces on the manner he does non happen it ( Kramer 1986 ) . To do affairs worse, the lone glance of hope he has is taken off from him at the last minute by the most improbable and unworthy being ( Heidel 1946 ) . Gilgamesh besides faces the ultimate destiny of adult male whereby he finally kicks the pail merely like other work forces ( Oppenheim 1964 ) .