Taxi Driver and the Hollywood Renaissance
– Largely influenced by the French New Wave and other international film movements, many American filmmakers in the late 1960s to 1970s sought to revolutionize Hollywood cinema in a similar way. The New Hollywood movement, also referred to as the “American New Wave” and the “Hollywood Renaissance,” defied traditional Hollywood standards and practices in countless ways, creating a more innovative and artistic style of filmmaking. Due to the advent and popularity of television, significant decrease in movie theater attendance, rising production costs, and changing tastes of American audiences, particularly in the younger generation, Hollywood studios were in a state of financial disaster….
Taxi Driver, Directed by Martin Scorsese
– “Taxi Driver” New York City that is depicted in Taxi Driver seems to be too real to be true. It is a place where violence runs rampant, drugs are cheap, and sex is easy. This world may be all too familiar to many that live in major metropolitan areas. But, in the film there is something interesting, and vibrant about the streets that Travis Bickle drives alone, despite the amount of danger and turmoil that overshadows everything in the nights of the city. In the film “Taxi Driver” director Martin Scorsese and writer Paul Schrader find and express a trial that many people face, the search for belonging and acceptance….
The Western Revisited in Martin Scorsese’s Taxi Driver
– The Western Revisited in Martin Scorsese’s Taxi Driver One need only peruse his impressive filmography to realize that Martin Scorsese’s corpus spans several decades and extends across as many genres. As a veteran filmmaker (and self professed cinephile) Scorsese must understand that the Western is the oldest Hollywood genre which, like all genres, is defined according to specific motifs, iconography, conventions and themes (Mast, 468). In fact, by deliberately invoking the codes and conventions of the Western to underpin Taxi Driver (1976), he demonstrates his virtuosic mastery of the genre…. ;
Martin Scorcese’s Taxi Driver
– … The slow panning of the gun was able to show the detail of the gun and enforce its strength and intensity. By using panning it exhibits setting, important props to the scene, and detail. One reoccurring theme Scorsese displayed in his film was jazz music. After most important scenes a specific jazz melody would play to tie all the events in the film together. For instance, after Travis had drank coffee with Betsy the jazz music would play. The jazz rendition would also play in the background while he narrates the story….
Martin Scorse’s Taxi Driver
– … The Vietnam War was the first war to be televised and this was a shock to the American people. It was able to show the most gritty and realistic side of war, which was very unlike the glorified visions of victory and valor that films had portrayed. The veterans of war were promised a homecoming and instead, they were unwelcomed and homeless. For the rest of the American public, living was becoming uncontrollable and so was the government. Society’s issues such as abandonment and rotting cities were also touching Hollywood and its filmmakers…. ;